27 February 2011

BigBang The 4th Mini Album CD Review


V.I.Ps, and kpop fans alike, rejoiced when it was revealed that BigBang would return once again to the korean music scene. aside from solo projects and numerous cellphone ads, the 5-member group had virtually disappeared from korea for a long 2 years and 3 months. instead, they turned their attentions to an overseas market, releasing several jpop mini albums. because of this long absence, fans [like myself] were ecstatic about their comeback...counting down the days until the mini album's release date: february 24.

way back in 2008, BigBang released "remember"--an album that was practically perfect in every way. [and my personal favorite BigBang CD.] but since then, the kpop market has changed with the emergence of many new super popular boy bands [2PM, b2st, etc etc etc]. however, i believe that BigBang's 4th mini album--while being reminiscent of old BigBang--also shows that they have grown and matured as a group. it shows that they've still got "it"--the ability to dazzle audiences and dominate music charts.

like previous BigBang albums, the 4th mini album showcases their unique talents and abilities. and that's the primary reason why i like BigBang so much--they stand out against other kpop boy bands. because they [well, g-dragon...] write their own music, they are able to create unique, meaningful lyrics. additionally, they have shown both the unwillingness to compromise their creative integrity and the refusal to conform in a notoriously cookie cutter industry. [don't get me wrong, i LOVE me some kpop...but these days, they've been deputing so many new bands in a relatively small time frame, that everyone begins to look and sound the same...]

that being said...i was somewhat disappointed when i discovered that the new BigBang album would be just a mini album containing only 6 songs [one of which is an intro track]. i am impatient...greedy for more BigBang--NOW. however, the cd definitely lived up to my standards...and the hype that was created for it.

the album:
ok, so the cover art is a silver, metallic skull wearing headphones. umm, it's kind of creepy, not gonna lie. except for the sparkly-ness, i'm not sure that it exactly fits with their image...i mean, it's more like something i'd expect to see on a death-metal cd, not kpop. but, whatever.

the actual cd booklet, on the other hand, is super colorful. love it. the bright designs break up the monotony of the black/silver exterior, and their fashions are bold and unique.

the songs:
intro (thank you and you): even though this is only a short intro track, i really love it. the beat is super dance-y...it makes me excited to listen to the rest of the cd. which is kind of the point of an intro track anyways.
however, the hook--"i'm fine, thank you and you?"--is pretty much the entire english repertoire of most korean students [in my experience]. so thank you, BigBang; i now get to spend the rest of my esl teaching career listening to students sing this at me every time i ask "how are you?". [also, i'm pretty sure that the majority of my students only know kpop english...they can only recite the days of the week to the tune of "mazeltov" by ze:a, and any time they try to apoogize for something it's either sung as "sorry sorry sorry sorry" ("sorry sorry" by super junior) or "i'm so sorry but i love you" ("거짓말"--"lies" by bigbang). but i digress...]

hands up: this song was previously released on one of their japanese mini albums [last fall, i believe]. at the time, i didn't particularly care for the song...but i fell in love with it after hearing it performed live at the YG Family concert in december. other than the obvious fact that the language is different, the korean version on this mini album doesn't sound very different. it has a classic BigBang feel to it music-wise. the biggest difference that i noticed [between the japanese and korean versions] is in T.O.P's rap--which sounds better in the korean version--because he does a different thing to his voice; it's super hott.

tonight: this is the main title track from the album, and it is brilliant. the musical part is pop-y and dance-y, but at the same time it has a more mature, darker feel to it. they blend the contrasting tones of each of their 5 voices to create a uniquely beautiful song. the highlight of the song is towards the end--the music climaxes and suddenly stops, leaving a lone acoustic guitar playing the haunting melody, accompanied by vocals. i really love the use of falsetto during the chorus; it fits perfectly with the mood of the song.

somebody to love: this track was also a previously released jpop song [i think it was on the same mini album as "hands up"]. i loved it when i first heard it in japanese, and i still love it now. this song also has a classic BigBang feel to it. it's dance-y, pop-y, exciting, and fun. the chorus is essentially them declaring that they "want somebody to love", which i'm pretty certain has every girl screaming "I'M RIGHT HEREEEEE--LOVE ME!!" [or, maybe that's just me...]

what is right: this song reminds me of something that i'd listen to while driving in my car on a warm summer day with the windows down. it's a cute, fun song. it's not brilliant, and BigBang has certainly released better tracks [umm, "하루하루", "거짓말", "마자막 인사"..."day by day", "lies", "last farewell"...]. but it definitely gets your foot tapping, and it is legitimately fun to listen to.

cafe: ok. so this is probably my favorite song on the entire mini album. the very appropriately named "cafe" begins with a jazzy-sounding piano, accompanied by T.O.P's deeply sexy voice 13 seconds in. [i've literally listened to that part probably a million times...for optimum listening experience, i recommend earbuds, not speakers...it sounds like he's speaking right into your ears. not gonna lie, i died a little bit...] this song features silky smooth vocals from all 5 members--definitely showcasing their undeniable talent. taeyang's and g-dragon's falsetto parts do not disappoint, and they sound amazing together. daesung's voice sounds raw and passionate when he declares "you don't need me anymore". and seung ri's voice has a pure, yet mature quality to it [after all, he is only 20...]. i'm pretty sure this song has made me fall head-over-heels in love with all 5 of them. and it also gives me a craving for caramel machiattos...

my overall assessment of BigBang's The 4th Mini Album is that it is a great cd. i would definitely recommend it for both diehard V.I.P's and casual kpop fans. it features a great mix of old and new BigBang sounds. each track is different, and presents different emotions. both the music and the lyrics show how the boys have grown up and matured since the release of "remember", yet they still remain true to the unique style that made them famous to begin with.

good job, BigBang...your newest mini album definitely does not disappoint!!
[as an added bonus, here is "cafe" from the new mini album...listen to it, fall in love with them, and you'll understand what i was talking about...]

1 comment:

  1. So your new job should be a music critic! seriously! you're also gifted with words my dear! love you!

    ReplyDelete